| Phụ đề | : | An indispensable resource for all students of the Bible, accessibly providing the cultural background of every verse in the New Testament |
|---|---|---|
| Tác giả | : | Keener, Craig S. |
| Nơi xuất bản | : | Downers Grove, IL., U.S.A.: InterVarsity Press, 1993 |
| Thông tin trách nhiệm | : | IVP Academic ; Craig S. Keener |
| Mô tả vật lý | : | 831 pgs hard cover 16x23,5 cm |
| Tóm tắt/ chú giải | : | Voted one of Christianity Today`s 1995 Books of the Year! To understand and apply the Bible well, you need two crucial sources of information. One is the Bible itself. The other is an understanding of the cultural background of the passage you`re reading. Only with the background can you grasp the author`s original concerns and purposes. This unique commentary provides, in verse-by-verse format, the crucial cultural background you need for responsible--and richer--Bible study. It includes a glossary of cultural terms and important historical figures, maps and charts, up-to-date bibliographies, and introductory essays about cultural background information for each book of the New Testament. Based on ten years of in-depth study, this accessible and bestselling commentary is valuable for pastors in sermon preparation, for Sunday-school and other church teachers as they build lessons, for missionaries concerned not to import their own cultural biases into the Bible, for college and seminary students in classroom assignments, and for everyday Bible readers seeking to deepen and enhance their study of Scripture. |
| Đề mục | : | |
| Ngôn ngữ | : | Eng |
| DDC | : | 220.7 / KC |
| SĐKCB | : |
|
Sách cùng tác giả
Zondervan illustrated Bible backgrounds commentary.
U.S.A: Zondervan, 2019
The Historical Jesus of the Gospels
U.S.A: William B. Eerdmans, 2009
Sách cùng khung phân loại
Matthew Henry's Commentary on the Whole Bible
U.S.A.: Fleming H. Revell, 1953
Adam Clarke's Commentary on the Holy Bible.
U.S.A: Baker Book House, 1967
Đọc Kinh Thánh Đặt Trọng Tâm vào Đức Chúa Trời Ba Ngôi
Thành phố Biên Hòa: Đồng Nai, 2018
